plasma
发表于 2025-3-27 00:38:28
Drag Culture, Global Participation and ,,dcast and digital spaces. They consider feminist/oppositional readings of RPDR, noting the fluidity of queer discourse in the current political landscape. Finally, they outline the main themes of the volume: representation and the boundaries of drag identity; drag, community and belonging; and drag, globalization and the social media landscape.
Foment
发表于 2025-3-27 01:39:58
The “RuPaulitics” of Subjectification in ,mparing queens Tyra Sanchez and Pearl, however, reveals that a shift takes place in this process: by the seventh season, entrepreneurial self-betterment and self-individuation emerge as dominant subjectifying techniques, often replacing earlier tactics of working together and helping others.
Handedness
发表于 2025-3-27 07:29:57
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CHOKE
发表于 2025-3-27 11:17:57
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conifer
发表于 2025-3-27 14:52:50
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CHAR
发表于 2025-3-27 21:42:57
Mainstreaming the Transgressive: Greek Audiences’ Readings of Drag Culture Through the Consumption oving continuously between male/female sexualities. In this light, the accounts collected, reflect diverse, though culturally specific and value laden responses both to RPDR as a text but also to the contestants as professional drag performers.
Lucubrate
发表于 2025-3-28 01:05:22
and the Reconceptualisation of Queer Communities and Publics as an example of how RPDR’s online, affective communities (e.g. via Facebook) can enable productive contestation and conversation around key issues such as transphobia and trans representation on RPDR.
初次登台
发表于 2025-3-28 05:32:10
Digital Extensions, Experiential Extensions and Hair Extensions: , and the New Media Environmentthis chapter argues that the ability of RPDR to engage audiences and advertisers in platforms beyond the traditional television medium helped ensure the program’s success and longevity despite modest traditional ratings numbers.
intrude
发表于 2025-3-28 08:46:27
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heterodox
发表于 2025-3-28 13:24:52
RuPaul’s Drag Race and the Shifting Visibility of Drag CultureThe Boundaries of Re