Inscrutable 发表于 2025-4-1 03:36:13
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John M. Logsdonoberts’s . . (1990), Peter Carey’s . (1997), Sarah Waters’s . (1999), Colm Tóibín’s . (2004), or Julian Barnes’s . (2005), to name just a few — all, in one way or another, employ the themes of spiritualism and haunting. Yet, the haunting presence of ghosts or mediums in this type of historical novel漂白 发表于 2025-4-1 16:38:02
John M. Logsdonality of the Ripper narrative is undermined in both by the presence of the Golem myth via which Jewish history functions as a subtext. Ackroyd’s novel is set in the East End of the 1880s; Sinclair’s drifts between the Victorian past and its own twentieth-century present. Both are examples of what Li参考书目 发表于 2025-4-1 22:06:04
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John M. Logsdon book traces hauntagogical thinking and related classroom practice–hauntagogy–pedagogy aimed to create wide-awakeness through the unearthing of acts of historical and interpersonal hauntings.Balanced between critique and hope, Regenspan offers the field of Educational Studies including teacher educa