时间
发表于 2025-3-21 18:41:58
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让你明白
发表于 2025-3-21 20:35:46
https://doi.org/10.1007/978-1-349-11363-71989; death; drama; knowledge; language; love; performance; play; theatre; tradition; William Shakespeare
etiquette
发表于 2025-3-22 00:50:16
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Antecedent
发表于 2025-3-22 05:09:54
Language and ImageryThe close affinity between much of the poetry of . and the highly wrought artifice of the Petrarchan sonnet can best be illustrated by a brief extract:
任命
发表于 2025-3-22 09:57:32
Introductioncontemporary account, the two versions, Shakespeare’s and Howard’s, were ‘Play’d Alternately, Tragical one Day, and Tragicomical another; for several Days together’. Such adaptations of various Elizabethan tragedies were popular after the Restoration but there is an interesting appropriateness in ch
现代
发表于 2025-3-22 13:04:23
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Confound
发表于 2025-3-22 19:49:38
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没有贫穷
发表于 2025-3-22 21:25:59
Conclusion: Word and Imagemost certainly had some serious consequences which may well have distorted our perception of the play. To some extent the difficulties faced by modern audiences may be attributed to the inevitable changes in theatrical taste which affect any of Shakespeare’s plays. For example, in his New Penguin ed
宏伟
发表于 2025-3-23 03:48:12
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SUE
发表于 2025-3-23 06:13:46
Franco Zeffirelli, Old Vic Theatre, 1961alents as a designer of atmospheric Italian settings for . as by his skills as a director. Zeffirelli set about stripping away the accretions of outdated romantic conventions of acting and staging in an attempt to bring the play to life for a modern, primarily young, audience. His aim was to achieve