Vldl379
发表于 2025-3-23 10:19:17
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MARS
发表于 2025-3-23 16:44:01
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BOOST
发表于 2025-3-23 22:01:51
The Seductions of Form in the Poetry of Ann Batten Cristall and Charlotte Smith, in the 1780s and 1790s, they demonstrate that experimentation and innovation was a function of the age, and that the enticements of ‘spontaneous overflow’ rely on a lengthy and attentive formal build-up.
胆小懦夫
发表于 2025-3-23 23:28:52
,’seldom Safely Enjoyed by Those Who Enjoyed it Completely’: Byron’s Poetry, Austen’s Prose and Form. A whole spectrum of writers of the period continued to produce topical literary parodies, comedy and satire.. The question of how to relate irony such as Austen’s to ‘Romantic’ writing is therefore rendered all the more pertinent.
Nonthreatening
发表于 2025-3-24 05:09:54
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Fillet,Filet
发表于 2025-3-24 07:56:04
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acetylcholine
发表于 2025-3-24 10:55:19
Jane Stabler,Martin H. Fischer,Andrew Michael Roberts,Maria Nella Carminati
savage
发表于 2025-3-24 17:03:40
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加花粗鄙人
发表于 2025-3-24 19:56:23
Romantic Indirection,gh a poem. In so many Romantic lyrics, the reader becomes aware that he has become positively ma/adjusted, perhaps even lost, . a poem’s beginning, middle and end. Furthermore, and perhaps this is the key to the pleasure, this maladjustment, once appre- hended by the reader, is there to be welcomed
火光在摇曳
发表于 2025-3-24 23:36:22
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