侵略
发表于 2025-3-25 05:20:04
http://reply.papertrans.cn/84/8315/831442/831442_21.png
言行自由
发表于 2025-3-25 07:38:29
http://reply.papertrans.cn/84/8315/831442/831442_22.png
一条卷发
发表于 2025-3-25 15:17:24
,Empathy for the Devil: The Origins of Mick Jagger’s Devil in John Milton’s London,revious centuries in England. The context of the English Civil Wars and John Milton’s poetry transformed Satan into a figure with a recognizable psychology. A new readership, the Romantics, then re-evaluated, responded to, and empathized with Milton’s Satan. This chapter attempts to identify the spe
dialect
发表于 2025-3-25 19:26:58
http://reply.papertrans.cn/84/8315/831442/831442_24.png
enterprise
发表于 2025-3-25 23:56:15
,“Crying like a woman ‘cause I’m mad like a man”: Chrissie Hynde, Gender, and Romantic Irony,ogetically reveling in her contradictions on the . album, Chrissie Hynde’s songwriting employs a range of distancing tactics and is riddled with multiple forms of irony, including Romantic irony as characterized by Friedrich Schlegel and Anne Mellor. This chapter explores the Romanticism that emerge
implore
发表于 2025-3-26 01:10:22
http://reply.papertrans.cn/84/8315/831442/831442_26.png
emulsify
发表于 2025-3-26 07:19:15
http://reply.papertrans.cn/84/8315/831442/831442_27.png
你不公正
发表于 2025-3-26 10:16:32
,Postcards from Waterloo: Tom Verlaine’s Historical Constellations,rawing on those Romantics who, like Keats, do not write with immediate reference to their historical context, Verlaine constructs songs that constellate past eras in relation to the present. In particular, his song “Postcards from Waterloo” draws a parallel between the creation of punk as a cultural
judicial
发表于 2025-3-26 16:12:31
Manner, Mood, and Message: Bowie, Morrissey, and the Complex Legacy of ,elped to define and upon which much of its popular legacy depends. David Bowie and Steven Patrick Morrissey have effectively captured the mood, manner, and message of Shelley’s novel in their music, videos, and album-promoting campaigns. While one might too readily associate Morrissey, the “Pope of
我悲伤
发表于 2025-3-26 18:55:18
,Tales of the Female Lover: The Poetics of Romantic Desire in P. J. Harvey’s , and ,antic dimension of her music has remained unchartered, leaving a critical gap that seems all the more startling as the love motif features high in Harvey’s repertoire, notably on the albums . (1995) and . (1998), her two odysseys of desire and self-damnation. This chapter analyzes the interplay betw