minion
发表于 2025-3-27 00:20:54
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Chronological
发表于 2025-3-27 03:40:52
Drama, Macready and Dramatic Poetry, he needed ‘partial retirement and stopping the ears against noise outside’ or – Domett had recently emigrated – a metaphoric version of ... Writing required that he should leave himself behind and undertake a private emigration into what Browning called at about this time a poetry ‘always dramatic
LINE
发表于 2025-3-27 05:24:30
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Synthesize
发表于 2025-3-27 09:52:52
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草本植物
发表于 2025-3-27 16:57:48
Arnold and Translation: ,lexity and fragmentation of a world after Babel. As a young poet he found Browning’s ‘confused multitudinousness’ lamentable and the older Arnold’s prose describes modern cultural and social life itself in very similar terms: ‘the confusion of the present times is great, the multitude of voices coun
绊住
发表于 2025-3-27 18:07:58
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SUGAR
发表于 2025-3-28 00:27:09
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微枝末节
发表于 2025-3-28 02:30:02
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Ointment
发表于 2025-3-28 09:00:06
2946-2037 oversial creative life through responses to his work by five key nineteenth-century figures: John Stuart Mill, William Charles Macready, Thomas Carlyle, John Ruskin and Matthew Arnold. It also relates Browning‘s sense of literary vocation to Victorian publishing. Browning emerges as a writer vividly
染色体
发表于 2025-3-28 11:18:58
Drama, Macready and Dramatic Poetry,achievement from . through . (1879 and 1880) and some poems in the last collection, .. Browning’s relations with the actor-manager William Macready provide a chance to explore the workings of sympathy and drama in Browning’s literary life.