FLAK
发表于 2025-3-21 17:23:50
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多节
发表于 2025-3-21 23:06:51
ther performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before..978-3-319-87506-4978-3-319-63242-1
disparage
发表于 2025-3-22 01:00:52
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Charitable
发表于 2025-3-22 07:59:55
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安定
发表于 2025-3-22 10:53:50
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菊花
发表于 2025-3-22 15:55:12
nd the filling of the voids left by time- from then . til about being open, factual, and advisory about moving for now. Techniques may change, but understanding, direction, ward, in new ways, but maintaining a
FLAIL
发表于 2025-3-22 17:48:14
has been conducted since the mid-1970s. This delay in our focus on depression in young people may be in part a function of the long-term psychodynamic perspectives of depression as nonexistent in children or normative in adolescents. In particular, the notion or myth of adolescent turmoil overshado
Nomogram
发表于 2025-3-22 23:21:03
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left-ventricle
发表于 2025-3-23 05:12:04
Zoe Zontoue subject such as the collection, representation, management, and methods of extracting grammatical information from discourse and conversational data as well as the relationship between questionnaire-based elicitation, text-based elicitation, and philology, and the need for combinations of these me
GUILT
发表于 2025-3-23 08:40:48
Introduction: Risky Aesthetics, Critical Vulnerabilities, and Edgeplay: Tactical Performances of th work which has risk embedded in its aesthetic. It takes the theoretical concept of edgework and reframes it in relation to participatory practice where playing on the edge is carried out as a tactic. It examines risk taking as a form of openness and as a means of creating spaces of potentiality. Dr