MORT
发表于 2025-3-28 15:50:21
Guowei Ma,Yimiao Huang,Jingde Lind particular styles were appropriate to particular genres. The genres were generally those used by Greek and Roman writers. Elevated genres, epic and tragedy, demanded to be written in a high style; lesser genres, pastoral and satire for example, should be dressed out in a middle or low style (Sidn
芳香一点
发表于 2025-3-28 21:57:41
Guowei Ma,Yimiao Huang,Jingde Lilic order or ‘economic system of his psyche’. Not only is his father dead and his mother precipitately remarried so that he has, in another formulation of Lacan, ‘lost the way of his desire’ (1977, pp. 12, 14), but he has been displaced as heir-presumptive. Towards the end of the play he attempts to
Subjugate
发表于 2025-3-28 23:33:50
Guowei Ma,Yimiao Huang,Jingde Liwhich Shakespeare’s tragedy is transformed into political pastiche, but also on implications of this process. I argue that the Polish playwright does not merely update and contextualise his source by using a well-established strategy of a political reading, but that he profoundly challenges it by un
Felicitous
发表于 2025-3-29 06:15:15
Guowei Ma,Yimiao Huang,Jingde Liers to the status of main protagonists only to show them vainly striving to make sense of fragmentary and metatheatrical scenes from .. At the heart of Stoppard’s supplement is the inclusion of contradictory elements. He applies deconstruction as a dialectical method in that he assembles contrasting
defeatist
发表于 2025-3-29 07:52:18
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充满装饰
发表于 2025-3-29 14:31:11
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斜坡
发表于 2025-3-29 18:25:37
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AWE
发表于 2025-3-29 22:46:28
Ranked Multidimensional Dialogue Act Annotationriority than its other functions. The present approach tries to improve on this deficiency. The results of an annotation experiment suggest that ranking communicative functions accurately reflects the communicative competence of language users.
Fissure
发表于 2025-3-30 00:01:13
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florid
发表于 2025-3-30 07:50:44
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