臭了生气 发表于 2025-3-25 06:02:08
http://reply.papertrans.cn/84/8302/830145/830145_21.png绕着哥哥问 发表于 2025-3-25 11:00:17
New Caribbean Studieshttp://image.papertrans.cn/r/image/830145.jpgCholagogue 发表于 2025-3-25 12:42:34
http://reply.papertrans.cn/84/8302/830145/830145_23.png刺激 发表于 2025-3-25 16:31:29
https://doi.org/10.1057/9781137320940fiction; gender; gender studies; identity; Modernism; national identity; novel; Postcolonial Studies; women十字架 发表于 2025-3-25 21:17:20
http://reply.papertrans.cn/84/8302/830145/830145_25.png地壳 发表于 2025-3-26 03:07:20
http://reply.papertrans.cn/84/8302/830145/830145_26.pngindices 发表于 2025-3-26 05:14:11
http://reply.papertrans.cn/84/8302/830145/830145_27.pngCRUMB 发表于 2025-3-26 12:05:20
http://reply.papertrans.cn/84/8302/830145/830145_28.png反叛者 发表于 2025-3-26 15:58:23
Menu, Memento, Souvenir: Suffering and Social Imagination in tent, Rhys’s works vex efforts at rehabilitation by contemporary critics. Too little, too late, too much: so Jean Rhys’s 1930s novels drop off the map, even after decades of feminist recuperation and canon questioning. The pained story of me (the story of Rhys’s lost innocence, lost family, and litt参考书目 发表于 2025-3-26 19:24:30
Clockwork Women: Temporality and Form in Jean Rhys’s Interwar Novels soundtrack for Sasha’s life, doling out her moments one by one, measuring the time as it slips away. The clock’s mechanical insistence tracks countless moments of misery, exhaustion, and self-abuse. Yet its recurring presence seems to offer some comfort: it lulls Sasha to sleep. This painful contra