俗艳
发表于 2025-3-23 13:06:40
Los Puentes Stories: The Rhetorical Realities of Electronic Literacy Sponsors and Gateways on the U18 Latino/a participants. from the borderlands of the United States and Mexico, I became aware of two important issues: gateways and sponsors are complex rhetorical variables shaping how people here learn to become electronically literate. In addition, traditional formula- tions of gateway and spons
Indent
发表于 2025-3-23 17:16:35
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gerrymander
发表于 2025-3-23 21:03:51
,Rhetoric of the First “Indians”: The Taínos of the Second Voyage of Columbus,re—all of us of the globe these days—tied to the Taïno in our language. And as we enter into the influences of the peoples of this hemisphere, we must remember the first the Europeans met, kidnapped, enslaved, and announced as dead. These are my people.
Ringworm
发表于 2025-3-24 01:26:53
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Asseverate
发表于 2025-3-24 03:26:00
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ticlopidine
发表于 2025-3-24 10:11:10
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1分开
发表于 2025-3-24 12:12:26
Los Puentes Stories: The Rhetorical Realities of Electronic Literacy Sponsors and Gateways on the Uor are not as clear-cut or rhetorically con- sidered and are in need of some expansion. This chapter begins to shed light on how these Latinos/as, born between 1920 and 2001, learned and had access—or not—to electronic literacy sponsors and gateways over the last seventy-nine years both in and around the Mexico-U.S. borderlands.
善辩
发表于 2025-3-24 15:57:12
Book 2010al from long ago to current global capitalism. This book is the drop that will ripple, creating new lines of inquiry into language use within the Americas and the legacies of genocide, conquest, and cultural survival.
Landlocked
发表于 2025-3-24 19:17:08
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insincerity
发表于 2025-3-25 00:05:09
,“When They Awaken”: Indigeneity, Miscegenation, and Anticolonial Visuality,al culture. These important and paradigmatic for- mulations, spoken nearly a century apart, demonstrate the diversity and continuity between and among various radical intellectuals in the Western Hemisphere. Together, they create a sytagmatic order to the otherwise anarchic nature of colonial and imperial (i.e., hegemonic) visual domination.