Axillary
发表于 2025-3-27 00:55:06
“Lost in Visual Pleasure”: Charles Kean’s Production of text was nevertheless treated in a very cavalier way. Only in 1838 were the adapted and operatic versions then in vogue eventually replaced by William Charles Macready’s Covent Garden production of ., which reinstated the Bard’s text and paved the way for later productions which were more faithful to the original version.
Blatant
发表于 2025-3-27 05:03:19
978-1-349-46206-3Palgrave Macmillan, a division of Macmillan Publishers Limited 2014
Exuberance
发表于 2025-3-27 09:07:29
http://reply.papertrans.cn/83/8299/829842/829842_33.png
Brittle
发表于 2025-3-27 11:12:45
http://reply.papertrans.cn/83/8299/829842/829842_34.png
Optimum
发表于 2025-3-27 17:20:51
http://reply.papertrans.cn/83/8299/829842/829842_35.png
Atmosphere
发表于 2025-3-27 18:43:53
https://doi.org/10.1057/9781137333148Appropriation; comedy; drama; Enzo Paci; essay; interpret; Italy; media; noise; performance; play; rhetoric; the
山顶可休息
发表于 2025-3-28 01:34:14
“Suppos’d to be rais’d by Magick”, or , ‘made fit’Springs up and buds a new reviving Play” (., Prologue 6).. Spoken at Lincoln’s Inn Fields theatre on 7 November 1667, these lines ushered in the production of .,. jointly written by poet laureate William Davenant and John Dryden, who was to wear the laurel wreath himself after Sir William’s death the year afterwards.
phlegm
发表于 2025-3-28 05:06:33
http://reply.papertrans.cn/83/8299/829842/829842_38.png
Countermand
发表于 2025-3-28 09:03:40
Magical Realism: Raising Storms and Other Quaint DevicesLet me juxtapose two familiar stage directions in Folio’s text of .:
发源
发表于 2025-3-28 14:17:13
Richard Andrewsegenüber stehen als anderen religiösen Minderheiten, ist eines der zentralen Ergebnisse unserer Studie. Was mögliche Erklärungsfaktoren für dieses Muster anbelangt, so wird in den meisten anderen Beiträgen in diesem Band vorrangig auf Einstellungen, Werte, Persönlichkeitsdispositionen oder bestimmte