debble
发表于 2025-3-23 09:56:38
Resonance Effects in Oscillations of Nonuniform Flows of Continuous Media,ocity along the flow direction, is analyzed. It is shown that the main laws governing the oscillatory properties and the stability of nonuniform flows of continuous media can be treated in a simple and natural manner in terms of the general theory of resonant interaction. Analogies that point to a c
入伍仪式
发表于 2025-3-23 13:53:06
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Crepitus
发表于 2025-3-23 20:56:42
Resonance Effects in Oscillations of Nonuniform Flows of Continuous Media, of continuous media can be treated in a simple and natural manner in terms of the general theory of resonant interaction. Analogies that point to a common nature of the mechanisms of resonant interactions in different media are tracked.
值得
发表于 2025-3-24 01:27:20
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arrogant
发表于 2025-3-24 03:18:06
0080-2050 6), are no exception.‘‘ . --- Journal of PlasmaPhysics,. from a review of previous volumesThe current volumeincludes chapters on the generation of noninductive current in atokamak and resonance effects in oscillations of uneven flows ofcontinuous media.978-1-4615-2808-1Series ISSN 0080-2050 Series E
连锁
发表于 2025-3-24 10:24:41
n in us. The house of childhood organizes our experience, first of all determining inside and outside, and then offering middle terms: the front porch and its steps are a middle term between the house and the town, while the back yard and garden are a middle term between the house and the wild. It o
Arrhythmia
发表于 2025-3-24 11:44:07
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抛射物
发表于 2025-3-24 15:46:56
A. V. Timofeevmyself as I recall it, and say the poem over to myself, half out loud. Like a melody, a poem is never all there at once: we must run through it. Yet in many respects time is inimical to discourse: its irresistible, irrevocable flow, the river of time, carries us all away. A poem cannot be merely tem
大洪水
发表于 2025-3-24 21:21:16
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FLIRT
发表于 2025-3-25 03:08:02
Barnaby B. Barratt – audiovisuelle Eigenproduktionen einer 11-jährigen Schülerin mit Migrationshintergrund – vor einem kurz umrissenem, theoretischen Hintergrund differenziert dargelegt werden. Im ersten Abschnitt, ., wird zu diesem Zweck zunächst in den Themenbereich eingeleitet und verschiedene, mit dem audiovisuel