因无茶而冷淡
发表于 2025-3-23 12:21:13
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使腐烂
发表于 2025-3-23 15:35:29
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主动脉
发表于 2025-3-23 21:39:40
esource. More specifically it seeks to examine hip-hop as a genre in which to investigate language practices and ideologies. The focus is on two hip-hop artists and on how Irish-language resources are mobilized in this genre to raise questions about the language, both in terms of language ideologies
disciplined
发表于 2025-3-24 00:28:19
J. S. Bruggeo for (global) policing researchers and other stakeholders alike—a bigger story which may best be told by relating this specific ethnography of change, concern and nostalgia amid Danish police detectives to already existing ones found throughout the policing literature.
EVADE
发表于 2025-3-24 02:22:55
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Pituitary-Gland
发表于 2025-3-24 07:55:58
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nephritis
发表于 2025-3-24 12:28:08
C. Van Beveren,I. M. Verma momentarily blunted nationalistic bravado in favor of a cosmopolitan study of geoscience but also gave domestic politics a more significant role in shaping those scientific ventures. Such cooperative scientific pursuits seemed well suited to the peacetime situations of the nineteenth century and se
KEGEL
发表于 2025-3-24 16:19:39
Interaction of the Rous Sarcoma Virus Protein pp60, with the Cellular Proteins pp50 and pp90,t a fully transformed phenotype (review, S. and H. 1984). This review will discuss one such interaction between pp60. and host cell proteins. This interaction occurs between newly synthesized molecules of pp60. and two cellular proteins of M. 90 000 (pp90) and 50 000 (pp50). The kinetics and localiz
MUMP
发表于 2025-3-24 21:28:16
complexities of the relationship between language and globalization. Global influences pervade everyday life and new forms of popular culture emerge that have the potential to re-shape social practices, including those linked to language. Hip-hop is a frequent theme in this research and I am interes
Hearten
发表于 2025-3-25 02:27:18
J. S. Bruggeaps learn from taking the police’s nostalgic sentiments more seriously in analytical terms as not just “mere” subcultural tropes or theatrics but as actual, heartfelt expressions of vocational loss? Are there, in other words, anything to be garnered from us listening more carefully to the Danish det