愤怒历史
发表于 2025-3-27 00:24:34
Retrospective Anticipation: Georgia O’Keeffe’s Efforts at Controlling Her LegacyO’Keeffe became increasingly active in safekeeping her legacy, becoming involved in several definitive publications of her art and that of her late husband, supporter, and promoter, Alfred Stieglitz (1864–1946). In these decades, she was also attempting to realize both a personal museum in Santa Fe
极深
发表于 2025-3-27 03:48:05
Replaying the Past: Belgian Pop Band dEUS’s Return to Early Workst pop bands exhibit in their own past work. Is reverting to a classic album an exercise in nostalgia? Is it a form of self-organized heritage management? Or is this cultural practice a welcome attempt to bring a new form of involvement back into a pop culture that has become increasingly fragmented
轿车
发表于 2025-3-27 07:03:05
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admission
发表于 2025-3-27 11:14:51
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evanescent
发表于 2025-3-27 15:19:18
Space, Time, and Change in Claude Monet’s Late Paintings of the fact that they do not form an all-encompassing break with the earlier work and in some cases revisit earlier motives, themes, and modes of painting such revisits include the representation of gardens and water reflections; the rendering of phenomena under varying light conditions; luminescen
CRACK
发表于 2025-3-27 21:33:39
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一加就喷出
发表于 2025-3-27 23:02:45
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水汽
发表于 2025-3-28 03:19:41
The Passage of Time: Jasper Johns’s , (1985–86) and , (2011)lity, each citing, recycling, and referencing in unique ways former motifs and inspirational sources. The only certainty in these puzzling works, whose meaning seems increasingly unstable, is arguably impending death.
Redundant
发表于 2025-3-28 06:15:28
inctive in its focus on such revisits, as well as in the div.This interdisciplinary book investigates the various ways in which North Americanand European modern and contemporary artists, authors, and musicians havereturned to earlier works of their own, engaging in inventive revivals andtransformat
联想记忆
发表于 2025-3-28 10:56:37
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