Albumin
发表于 2025-3-23 12:54:49
Queer Regenerative Work? New Eugenics? On the Travels of the IVF Embryo,ties are always fun,. packed with international people. Less masculine and heteronormative than most R&B parties in Berlin. Less White than most Berlin queer parties. And, finally, with less of the eternal monotony of Berlin electronic music.
Observe
发表于 2025-3-23 14:32:03
The Madness of Interpretation and Meaning in Psychoanalytic Treatment and Literature: Reading Patriychology seems to be stone dead’. At the same time, he points out, ‘in the last few decades the psychologists and their psy-discourses have penetrated, in an unprecedented way, education, schooling, work, leisure time, consuming, politics, popular culture’.. But, de Vos further demonstrates, this si
发酵剂
发表于 2025-3-23 21:48:35
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intellect
发表于 2025-3-24 00:08:50
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Inkling
发表于 2025-3-24 02:56:18
The Editor(s) (if applicable) and The Author(s) 2015
使虚弱
发表于 2025-3-24 06:59:48
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口诀
发表于 2025-3-24 14:36:09
Book 2015Drawing from work in a wide range of fields, this book presents novel approaches to key debates in thinking about and defining disability. Differing from other works in Critical Disability Studies, it crucially demonstrates the consequences of radically rethinking the roles of language and perspective in constructing identities.
弹药
发表于 2025-3-24 16:19:47
https://doi.org/10.1057/9781137456977Disability; Theory; Psychoanalysis; Body; Sexuality; Gender; Animal Studies; Autism; ADHD; Reproduction; IVF; V
责怪
发表于 2025-3-24 22:59:17
Queer Regenerative Work? New Eugenics? On the Travels of the IVF Embryo,ties are always fun,. packed with international people. Less masculine and heteronormative than most R&B parties in Berlin. Less White than most Berlin queer parties. And, finally, with less of the eternal monotony of Berlin electronic music.
强所
发表于 2025-3-25 01:55:24
,‘[…] he perceives himself as a caterpillar […]’: Constructions of the Disabled Subject in the Critif disability. This chapter will focus on one example of this criticism in order to draw out constructions of disability that are all too often avoided within film studies, despite, I suggest, having a constitutive role in many readings forwarded within the field.