Formidable 发表于 2025-3-23 13:30:38
http://reply.papertrans.cn/83/8286/828539/828539_11.pngneutral-posture 发表于 2025-3-23 16:39:34
http://reply.papertrans.cn/83/8286/828539/828539_12.png疲劳 发表于 2025-3-23 20:47:42
http://reply.papertrans.cn/83/8286/828539/828539_13.pngarterioles 发表于 2025-3-23 23:29:42
http://reply.papertrans.cn/83/8286/828539/828539_14.pngDissonance 发表于 2025-3-24 05:35:00
Christoph SchwindtIncludes supplementary material:glamor 发表于 2025-3-24 08:27:35
es of her characters and yields a fruitful source of analogy with writing — especially with the experience of the woman writer. Music has a privileged relation to the literary here because it offers a focus both for the writer’s experiments and for the reader’s interpretation.burnish 发表于 2025-3-24 12:28:39
http://reply.papertrans.cn/83/8286/828539/828539_17.pngBinge-Drinking 发表于 2025-3-24 15:44:30
sted only from April 1848 to the following summer after which, although elements of liberalism remained, a conservative reaction set in. In 1848, Marian Evans’s interest in radicalism led her to watch with fascination the unfolding of events in France. On 10 December 1848, the presidential electionDiverticulitis 发表于 2025-3-24 19:12:48
http://reply.papertrans.cn/83/8286/828539/828539_19.pngKidnap 发表于 2025-3-25 00:39:05
helped to define her own stance. Spencer, with Chapman, and later, Lewes, provided her with the male companionship she needed. He had met Sara Hennell at Chapman’s in the 1840s, and encountered Marian Evans in August 1851 when she was visiting the Great Exhibition. When she moved to London, the frie