画布
发表于 2025-3-26 23:08:57
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HALO
发表于 2025-3-27 05:09:04
neath his own’. His favourite, who takes over Dorlcote Mill, is well named Jetsome. Harold Transome in . is the son of Matthew Jermyn, another lawyer, whose own parentage is dubious, untraced before charity school and workhouse. In . Featherstone’ bastard, the frog-faced Joshua Rigg, makes an illmat
insolence
发表于 2025-3-27 05:26:29
ders find rewards in Eliot’s works for her narrative representations of cultural issues or values, for her keen discernment of interpersonal relations, and for her description of private thought and motivation in lone individuals. In this introduction that surveys a history of Eliot’s reader recepti
MAPLE
发表于 2025-3-27 10:20:26
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debouch
发表于 2025-3-27 14:03:20
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Musculoskeletal
发表于 2025-3-27 18:13:35
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ADJ
发表于 2025-3-27 22:11:51
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Ebct207
发表于 2025-3-28 05:08:18
Dariusz Gasior selected pieces that complement Part 1 of this book. The critics represented here deal with Eliot’s narrative method, with her sense of history and with the question of gender. The earliest of the pieces is from Barbara Hardy’s . (London: Peter Owen, 1982) and deals with the development of Eliot’s
自恋
发表于 2025-3-28 06:30:22
Dariusz Gasior aspects of her early work, and the third is the pinnacle of her later writing. ., Eliot’s second full novel, was published in 1860, the year after . It is distinctive in two fundamental respects. With some close parallels in the earlier pages between the protagonist and the author, it is her most a
前奏曲
发表于 2025-3-28 10:24:31
Dariusz Gasior selected pieces that complement Part 1 of this book. The critics represented here deal with Eliot’s narrative method, with her sense of history and with the question of gender. The earliest of the pieces is from Barbara Hardy’s . (London: Peter Owen, 1982) and deals with the development of Eliot’s