祖传财产
发表于 2025-3-23 11:42:05
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擦掉
发表于 2025-3-23 16:02:57
Concentrated Industry, Fragmented Consumption: The Global Music Industry in the New Millenniumformance to be captured. Rather than discuss the processes and practices of various players in the global music industry, in this chapter I discuss the sector in more general terms to suggest some political economic themes that underlie the music industry’s contemporary upheavals.
Aesthete
发表于 2025-3-23 19:10:22
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残酷的地方
发表于 2025-3-23 22:27:49
Introductory Improvisations on a Theme: Resounding International Relationseveryday sexual politics. The intertwined action, soundtrack and merchandising strategies of films like ., underscore how the personal is not so much political these days as it is ., figuratively and literally. Either way it is good for business..
bronchiole
发表于 2025-3-24 05:59:00
Sharing as Piracy: The Digital Future of Musiced. . purchased the rights to use a recording of Difang and Agay from MCM. While permission for use of the musical material was granted, the French agency did not actually control the rights they granted, the folk singers were never asked for permission, and royalties were not directed their way (Story 2002: 138; Wong 1999).
aplomb
发表于 2025-3-24 06:45:59
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或者发神韵
发表于 2025-3-24 11:04:23
“My Dance Immoral? , No!” , Music and Gender Politics in Contemporary Indonesiae of the most heated debates. The “sexy” performer became talk of the day. Within a short time span, a national debate exploded among politicians, Islamic clerics, celebrities, and local women’s groups on the question whether or not her performance was morally acceptable.
Mingle
发表于 2025-3-24 18:06:24
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侵略者
发表于 2025-3-24 19:12:25
nto account the visceral and non-verbal elements such as counterpoint and harmony, polyphony and dissonance, noise, rhymes, rhythms, performance and the visual/aural dimensions to music-making.978-1-349-73395-8978-1-137-05617-7
定点
发表于 2025-3-25 00:22:57
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