MURAL
发表于 2025-3-25 05:07:55
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Flawless
发表于 2025-3-25 11:33:43
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讥讽
发表于 2025-3-25 14:17:35
Caroline Ha ThucAnalyses the issues at stake behind research-based art practices in Southeast Asia.Approaches these art practices critically and clarifies their innovative combination of aesthetics and cognition.Shed
有机体
发表于 2025-3-25 16:40:00
Book 2022nt of academic and artistic research; in short, the Why, When, What and How of research-based art practices in the region. In Southeast Asia, artists are increasingly engaged in research-based art practices involving academic research processes. They work as historians, archivists, archaeologists or
轻浮女
发表于 2025-3-25 22:36:19
Introduction,sts or sociologists in order to produce knowledge and/or to challenge the current established systems of knowledge production, whether those knowledge systems consist of Western academic frameworks or of the local official narratives modelled on authoritarian ideologies. As artists, they are in a po
强所
发表于 2025-3-26 02:00:52
Research-based Art Practices: Context and Framework,gies and in their artistic forms. This chapter identifies their main features and their specificities in the Southeast Asian context. As they derive from the artists’ desire to learn, generate and disseminate knowledge, these practices develop against the backdrop of the larger debate that questions
Vertical
发表于 2025-3-26 06:49:25
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entail
发表于 2025-3-26 11:28:07
The Artist-Researcher,the sociologist and other social scientists. As an example, this chapter focuses on the discipline of history. It highlights how the artistic methodology, while it challenges critically the academic sphere, also supplements its perspective. The artists are often active in breaking up the given chain
继而发生
发表于 2025-3-26 16:41:37
,The Artist as a Producer of Knowledge: Cultural Activism in Tiffany Chung’s , (2009–),ative and complex integration of scholarly research in her long-term series .. Begun in 2009, the project consists of an assemblage of cartographic works, archival materials, collaborative watercolour paintings, videos and texts based on the artist’s extensive research relating to the massive flux o
最低点
发表于 2025-3-26 20:03:49
,Research as Strategy: Reactivating Mythologies in Wah Nu and Tun Win Aung’s , Series (2008–),aphs, this sound and image installation features 33 portraits of important Burmese figures who lived between the first Anglo-Burmese War (1824–1826) and the independence of the country (1948). Created as the outcome of the artists’ deep historical research on the colonial period, the series aims at