扩张 发表于 2025-3-23 12:10:01
Thien Le,Frederic Stahl,João Bártolo Gomes,Mohamed Medhat Gaber,Giuseppe Di Fattaimbalances and the secondary earner question. Female employment recently outperformed male employment, but fiscal consolidation policies currently hinder advancement in countries like the so-called GIPSI group, where progress is needed most. Meanwhile differences with respect to men in pension incom期满 发表于 2025-3-23 14:53:48
Gabriel Prat,Lluís A. Belancheined by proximity to the town, and by the economic condition of the village of out migration. As time went by and Kōriyama.s economic importance grew, large-scale merchants came to prefer day labour to . labour. This reduced short-term . migration to Kōriyama and encouraged permanent relocation, becConclave 发表于 2025-3-23 18:32:52
http://reply.papertrans.cn/83/8279/827885/827885_13.png受人支配 发表于 2025-3-23 23:18:45
http://reply.papertrans.cn/83/8279/827885/827885_14.png不能妥协 发表于 2025-3-24 03:40:31
http://reply.papertrans.cn/83/8279/827885/827885_15.pngInflated 发表于 2025-3-24 10:23:01
http://reply.papertrans.cn/83/8279/827885/827885_16.pngAdj异类的 发表于 2025-3-24 14:43:42
h, strike chords of disenchantment, rebellion and resistance. Like the phenomena which they examine, the analyses themselves are founded on a number of unspoken oppositions: conformity and resistance, harmony and rupture, passivity and activity, consumption and appropriation, femininity and masculinGROUP 发表于 2025-3-24 15:05:43
M. J. Wheatmane discourses, and the consequences of judging girls’ behaviour by the terms of one rather than the other, I shall explore femininity and adolescence as discourses with structured sets of relationships between speakers and actors who occupy positions in them. Also, I shall demonstrate that these disc串通 发表于 2025-3-24 19:31:08
http://reply.papertrans.cn/83/8279/827885/827885_19.png信条 发表于 2025-3-25 02:17:57
Ghadah Aldehim,Wenjia Wangit is disguised as the inverse of .: in the manner of Mamet’s con-game drama and cinema, it pretends to be a family play, set—not in a place of business—but in a family home. By subtracting the (heterosexual) patriarch, it masquerades as a drama of Others, focusing on a woman, a gay man, and a child