指耕作
发表于 2025-3-23 12:45:27
Artifacts: The Early Plays Reconsidered,).. In the Prologue to . (1971), in which Kosmo and Yahoodi introduce themselves (even more than Slim and Shadow in . or the brothers in ., they seem to be a split portrait of Sam Shepard), Kosmo says, ‘intuitive decisions based on a leaking-roof brain. Lots of dashing images’.. When Hoss in . (1972
Foregery
发表于 2025-3-23 17:42:13
http://reply.papertrans.cn/83/8277/827700/827700_12.png
盘旋
发表于 2025-3-23 20:28:49
,The Desert and the City: , and Shepard’s Postmodern Allegory,’s screenplay for ., and Wim Wenders’s cinematography use the desert and the city as pivotal images around which the narrative action revolves. Travis, initially seen wandering the landscape of the desert like some burned-out Natty Bumpo traversing the barren frontier, is later taken by his brother
反感
发表于 2025-3-23 22:30:11
http://reply.papertrans.cn/83/8277/827700/827700_14.png
Occupation
发表于 2025-3-24 03:25:52
,Shepard’s Challenge to the Modernist Myths of Origin and Originality: , and ,ge. The mother of Austin and Lee has just returned unexpectedly from her vacation trip to Alaska because, she says, she started missing all her plants. She discovers her kitchen a shambles and mysteriously full of toasters. Her son, Austin, who was supposedly minding the house while he wrote a scree
Exclaim
发表于 2025-3-24 06:43:48
http://reply.papertrans.cn/83/8277/827700/827700_16.png
WAG
发表于 2025-3-24 14:05:13
http://reply.papertrans.cn/83/8277/827700/827700_17.png
absolve
发表于 2025-3-24 18:16:00
,Speaking Without Words: the Myth of Masculine Autonomy in Sam Shepard’s ,orced critics to resort to non-dramatic terminology in order to analyze his style, but they have also made him and his works, in Don Shewey’s words, a ‘true American original’.. For many critics, however, Shepard’s heterodoxy does not extend to his female characters; his characterisation of women is
homocysteine
发表于 2025-3-24 19:52:47
http://reply.papertrans.cn/83/8277/827700/827700_19.png
Outshine
发表于 2025-3-25 01:13:13
,Lighting Out for the Territory Within: Field Notes on Shepard’s Expressionist Vision,violent and always ambiguous, and critics have generally agreed that it is as difficult to say exactly what he means as it is to classify how he writes. One response to this dilemma is to give it up — after all, Shepard’s is not a theatre of ideas but of feelings. Another response is merely to celeb