恸哭 发表于 2025-3-25 06:29:01

978-1-349-70141-4The Editor(s) (if applicable) and The Author(s) 2016

沉着 发表于 2025-3-25 08:38:55

http://reply.papertrans.cn/83/8275/827460/827460_22.png

fatty-streak 发表于 2025-3-25 13:42:11

http://reply.papertrans.cn/83/8275/827460/827460_23.png

词汇表 发表于 2025-3-25 16:36:36

http://reply.papertrans.cn/83/8275/827460/827460_24.png

ironic 发表于 2025-3-25 20:29:23

http://reply.papertrans.cn/83/8275/827460/827460_25.png

切碎 发表于 2025-3-26 01:27:23

http://reply.papertrans.cn/83/8275/827460/827460_26.png

伙伴 发表于 2025-3-26 05:16:27

: A Bedtime Story,hildhood take on grotesque features in Barnes’s late modernist novel. The quote that leads the title of this chapter stands as a warning against the childlike impersonations of the novel’s central character Robin Vote. But the line and the character double, I argue, as a caution for modernism itself

赏心悦目 发表于 2025-3-26 11:25:28

http://reply.papertrans.cn/83/8275/827460/827460_28.png

都相信我的话 发表于 2025-3-26 12:43:49

,Drowning in Childhood: Gertrude Stein’s Late Modernism,dark. They are preoccupied with representing and with killing children, with writing and with destroying the tropes of childhood. In Stein’s works for children, the alphabet book, first reader, and the fairy tale forms are satirically targeted, and the children in these stories die with regularity a

Inveterate 发表于 2025-3-26 20:39:06

: A Bedtime Story,fair with the new has been linked to youthful resistance, to experimentation, and to innovation, but in the late 1930s—on the cusp of the Second World War—Barnes suggests that it can also be viewed as a cooptation of innocence that is artificial, empty, and even heartless.
页: 1 2 [3] 4
查看完整版本: Titlebook: Representations of Childhood in American Modernism; Mason Phillips Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American