CAGE
发表于 2025-3-23 10:47:34
Markus Schlaffke,Isabella Schwaderer,Parveen Kanhai
GEST
发表于 2025-3-23 16:01:07
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合适
发表于 2025-3-23 18:41:30
,Death and Transfiguration: Religion and Belonging in Felix Gotthelf’s Indian Opera , (1910),cial ethos of the late German Empire as autochthonous and within the tradition of German intellectual and Reformation history. The author’s contribution is to examine the interconnections between religion, national revival, and music in the context of widespread cultural criticism shortly before the First World War.
Institution
发表于 2025-3-24 00:25:09
Negotiating Germanness with Indian Religious History: Transfers of Academic Knowledge and Notions o a discourse in which knowledge about India was selected from the academic discipline of Indology and relocated to suit the positions of the contributors to the debate. Essentially, the field reproduced aspects of religion that emphasized confessionalism, rationality, nationalism, the arts, science, and ritual in relation to modernity.
围巾
发表于 2025-3-24 05:01:23
Introduction,ith historical expeditions going back to 1800. Placing the focus on religion, it traces forms of identity-making and nation-building processes involved in the German–Indian entanglement. As a result, the volume offers a global historical approach to religion from a modern transformative perspective.
PHONE
发表于 2025-3-24 08:38:40
2731-5657National Socialism.Places special emphasis on the artistic Religion as a form of cultural expression constitutes a critical element in the relationship between Germany and India. The discovery of Indian traditions in Germany and re-interpretations of those traditions in India fueled not only new th
STELL
发表于 2025-3-24 14:25:42
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negligence
发表于 2025-3-24 16:11:43
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maladorit
发表于 2025-3-24 22:41:07
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Middle-Ear
发表于 2025-3-25 01:07:06
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