uveitis
发表于 2025-3-23 12:58:39
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渐变
发表于 2025-3-23 16:41:17
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instate
发表于 2025-3-23 20:17:51
Aesthetic Experience, Religion, and Economic Materialism in Yeatsce into social attitudes. A specific aesthetic experience lived in a state of mind manifesting faith, belief, and enthusiasm in Yeats’s case, or faithlessness, disbelief/unbelief, and irony in Joyce’s case, informs one’s specific position in relation to the social, material world.
agnostic
发表于 2025-3-24 02:01:48
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Suggestions
发表于 2025-3-24 02:32:24
Conclusion: Art and Life Rhythmsngenders, which in older times was connected to myth and ritual, making aesthetic experience an experience of the sacred or of the subliminal night-mind. The metonymic order of literary discourse gives a text its prosaic dimension, but also gives an ironic character to aesthetic experience, which in
尊敬
发表于 2025-3-24 09:08:34
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分开如此和谐
发表于 2025-3-24 12:27:17
d in certain areas is the only available source of information in vertebrates. Further more, much of the now classical knowledge in neurobiology was originally ob tained and elaborated in depth in this vertebrate. To cite only a few examples, studies of nerve conduction, neuromuscular transmission
多嘴多舌
发表于 2025-3-24 17:57:39
Joyce and Art as a Form of Religious Experienceeality into meaningful art texts. Aesthetic creation, in governing this labour of self-recreation, is social praxis. And the derived aesthetic experience is a form of religious experience to the extent that self-recreation through art is driven by experiences of epiclesis, transubstantiation, and epiphany.
乳白光
发表于 2025-3-24 22:01:45
Introduction: Argument and Contextsiation, and epiclesis in a theoretical framework derived from the theory of social myth developed by Georges Sorel (1847–1922). I aim to sketch a theory of art in which the experience of art, like that of social myth, can be seen as a form of religious experience. The theorisation of the experience
enflame
发表于 2025-3-25 00:15:04
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