严厉谴责
发表于 2025-3-23 11:18:18
Jan Lunzere be seen as exemplary of a ‘subjective turn’ that is taking place in documentary filmmaking, which entails a re-evaluation and repositioning of the role of documentary subject, from passive subject or victim of social circumstance to active, empowered individual. This development furthermore encom
跑过
发表于 2025-3-23 16:26:29
tions contrast an idealized suburban nostalgia with the modern and sometimes harsh disorder erupting from the centre. These diametrically opposed cinematic representations of reciprocal symbolic intrusion and potential threat reveal the evolution of the intrinsic social and geographical conflict bet
分解
发表于 2025-3-23 18:58:35
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Accrue
发表于 2025-3-24 00:01:22
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代理人
发表于 2025-3-24 02:30:45
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Entreaty
发表于 2025-3-24 07:28:57
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auxiliary
发表于 2025-3-24 12:51:17
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Ingenuity
发表于 2025-3-24 18:39:45
Jan Lunzennengelernt hat. Wenig später sitzen die beiden lachend und flirtend mit hochprozentigen Getränken in der luxuriösen Wohnung des zwielichtigen Mannes. Auf den ersten Blick scheint sich das zierliche Mädchen mit ihren provozierenden Scherzen völlig naiv und arglos einer Situation auszuliefern, die au
变白
发表于 2025-3-24 20:25:13
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Eulogy
发表于 2025-3-25 01:47:55
Jan Lunzevi is a stark contrast to surging urban society, reminding the world about the dark side of the metropolis. The largest and most populous democracy in the world, India is often symbolized by the wide-angle panoramic shots of Dharavi and the close-up frames of huddled huts and shabby starving faces o