arrogant
发表于 2025-3-25 05:38:01
http://reply.papertrans.cn/83/8250/824966/824966_21.png
密码
发表于 2025-3-25 07:33:18
On the Necropolitics of Contemporary Human Uprootedness: Ecocentric Empathy in Documentary Film and e—reveals a necropolitics in action that may be viewed ecocritically. Reflecting upon humans that have been displaced by war and by climate change, as well as due to the effects of global capitalism and “slow violence,” the chapter analyzes five documentaries, namely Michael Nash’s . (2010), Daphne
inquisitive
发表于 2025-3-25 12:59:14
http://reply.papertrans.cn/83/8250/824966/824966_23.png
Capture
发表于 2025-3-25 17:14:44
http://reply.papertrans.cn/83/8250/824966/824966_24.png
面包屑
发表于 2025-3-25 22:20:10
http://reply.papertrans.cn/83/8250/824966/824966_25.png
Clinch
发表于 2025-3-26 01:58:31
Responding to Refugee Children: Transfigurations of Genre and Form in Valeria Luiselli’s , and 017) and her novel . (2019). Luiselli’s essay and novel, Thakur observes, overtly refuse the conventions of their respective genres. Such an undoing of form and genre, he posits, stems from the attempt to represent the experiences of child refugees, specifically unaccompanied minors attempting to cr
verdict
发表于 2025-3-26 08:01:37
http://reply.papertrans.cn/83/8250/824966/824966_27.png
Hyperalgesia
发表于 2025-3-26 10:59:52
Family Journeys: Refugee Histories in Vietnamese American Graphic Memoirsst-storyteller on the page through sequential narration and the juxtaposition of words and images, these texts employ the resources of the graphic memoir as a genre of life writing to document refugee histories in opposition to dominant representations.
opprobrious
发表于 2025-3-26 13:56:45
http://reply.papertrans.cn/83/8250/824966/824966_29.png
yohimbine
发表于 2025-3-26 18:19:42
http://reply.papertrans.cn/83/8250/824966/824966_30.png