有罪 发表于 2025-3-26 22:43:08

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FIN 发表于 2025-3-27 04:10:57

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Atrium 发表于 2025-3-27 08:06:27

ries of meaning within the fantasy genre. And in doing so, they challenge readers themselves to ponder these tales more deeply..But through each of these chapters runs a profound love of the genre and a respect978-94-6300-758-0

rectum 发表于 2025-3-27 10:21:59

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倒转 发表于 2025-3-27 14:59:52

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MEEK 发表于 2025-3-27 19:19:04

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广口瓶 发表于 2025-3-27 23:30:51

Book 2019come consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an .un.doing and a .re.doing, above all a doing .differently. of what otherwise continues to be enacted as the same.

Enrage 发表于 2025-3-28 04:44:06

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Oratory 发表于 2025-3-28 09:14:35

Ghosts of History: Edward Bond’s , and Heiner Müller’s eare for our own time must be redeployed in a manner that disrupts expectations and denies easy access to escape or evasion. While Bond’s . inducts us into a pained moral accountability that cannot be sublimed away, . sustains a negativism that deforms, defies, and opposes whatever the normative order sponsors and supports, Shakespeare included.

fulcrum 发表于 2025-3-28 13:28:04

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查看完整版本: Titlebook: Reenacting Shakespeare in the Shakespeare Aftermath; The Intermedial Turn Thomas Cartelli Book 2019 The Editor(s) (if applicable) and The A