有罪 发表于 2025-3-26 22:43:08
http://reply.papertrans.cn/83/8247/824602/824602_31.pngFIN 发表于 2025-3-27 04:10:57
http://reply.papertrans.cn/83/8247/824602/824602_32.pngAtrium 发表于 2025-3-27 08:06:27
ries of meaning within the fantasy genre. And in doing so, they challenge readers themselves to ponder these tales more deeply..But through each of these chapters runs a profound love of the genre and a respect978-94-6300-758-0rectum 发表于 2025-3-27 10:21:59
http://reply.papertrans.cn/83/8247/824602/824602_34.png倒转 发表于 2025-3-27 14:59:52
http://reply.papertrans.cn/83/8247/824602/824602_35.pngMEEK 发表于 2025-3-27 19:19:04
http://reply.papertrans.cn/83/8247/824602/824602_36.png广口瓶 发表于 2025-3-27 23:30:51
Book 2019come consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an .un.doing and a .re.doing, above all a doing .differently. of what otherwise continues to be enacted as the same.Enrage 发表于 2025-3-28 04:44:06
http://reply.papertrans.cn/83/8247/824602/824602_38.pngOratory 发表于 2025-3-28 09:14:35
Ghosts of History: Edward Bond’s , and Heiner Müller’s eare for our own time must be redeployed in a manner that disrupts expectations and denies easy access to escape or evasion. While Bond’s . inducts us into a pained moral accountability that cannot be sublimed away, . sustains a negativism that deforms, defies, and opposes whatever the normative order sponsors and supports, Shakespeare included.fulcrum 发表于 2025-3-28 13:28:04
http://reply.papertrans.cn/83/8247/824602/824602_40.png