小口啜饮 发表于 2025-3-25 03:39:21
http://reply.papertrans.cn/83/8240/823988/823988_21.pngepidermis 发表于 2025-3-25 08:40:56
Birgit Rommelspacherology spread around the globe, many women artists became vocal opponents of political regimes or pioneers of civic activism; in more recent decades, LGBTQI artists have also pushed back against cultural and political barriers. However, the political engagements of these groups in the art-making procOrnament 发表于 2025-3-25 14:51:36
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Heinz Sünkera,’ ‘totem’ and ‘taboo’ – ‘potlatch’. is well-known both within and beyond academe; it appears in general dictionaries. and it is a staple of introductory anthropology courses. Yet despite such a wealth of references, there is nothing self-evident about the term ‘pot-latch’ and the ethnographic realCRAB 发表于 2025-3-26 07:01:29
http://reply.papertrans.cn/83/8240/823988/823988_27.pngScintillations 发表于 2025-3-26 11:30:09
Eike Henniga,’ ‘totem’ and ‘taboo’ – ‘potlatch’. is well-known both within and beyond academe; it appears in general dictionaries. and it is a staple of introductory anthropology courses. Yet despite such a wealth of references, there is nothing self-evident about the term ‘pot-latch’ and the ethnographic realLobotomy 发表于 2025-3-26 16:18:36
Helmut Dahmera,’ ‘totem’ and ‘taboo’ – ‘potlatch’. is well-known both within and beyond academe; it appears in general dictionaries. and it is a staple of introductory anthropology courses. Yet despite such a wealth of references, there is nothing self-evident about the term ‘pot-latch’ and the ethnographic realExposure 发表于 2025-3-26 19:43:39
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