Brocas-Area
发表于 2025-3-27 00:52:04
http://reply.papertrans.cn/83/8226/822534/822534_31.png
最有利
发表于 2025-3-27 02:44:02
http://reply.papertrans.cn/83/8226/822534/822534_32.png
不来
发表于 2025-3-27 09:09:42
http://reply.papertrans.cn/83/8226/822534/822534_33.png
arabesque
发表于 2025-3-27 13:18:54
The Darkest Knight: Archaeology of the Batman in Comics and Film,ystem to ‘crash,’ a failure that Christopher Nolan’s . (2005) sought to restore by rebooting the film series from the beginning again. I will show that production and promotional discourses mobilized paratexts to establish that the reboot differed in tone and tenor from Schumacher’s ‘bad’ object, .
Atmosphere
发表于 2025-3-27 14:10:42
Book 2023topic by providing new frameworks and taxonomies that illustratekey differences between reboots and other ‘strategies of regeneration,’ helping to spotlight the various ways in which the culture industries mine their intellectual properties in distinct and novel ways to present them anew. Reboot Cul
deactivate
发表于 2025-3-27 18:03:07
boots and other ‘strategies of regeneration,’ helping to spotlight the various ways in which the culture industries mine their intellectual properties in distinct and novel ways to present them anew. Reboot Cul978-3-031-40914-1978-3-031-40912-7
笨拙处理
发表于 2025-3-28 00:34:16
William ProctorApproach that extends the analysis to configure relationships between production, consumption and paratexts.Challenges prevailing contemporary discourses about the reboot concept and other strategies
Control-Group
发表于 2025-3-28 02:28:12
http://image.papertrans.cn/r/image/822534.jpg
Epidural-Space
发表于 2025-3-28 06:47:20
http://reply.papertrans.cn/83/8226/822534/822534_39.png
含铁
发表于 2025-3-28 13:04:23
http://reply.papertrans.cn/83/8226/822534/822534_40.png