学术讨论会 发表于 2025-3-26 23:16:17
http://reply.papertrans.cn/83/8221/822047/822047_31.pngintegrated 发表于 2025-3-27 02:35:21
http://reply.papertrans.cn/83/8221/822047/822047_32.png正面 发表于 2025-3-27 08:50:55
http://reply.papertrans.cn/83/8221/822047/822047_33.pngantidepressant 发表于 2025-3-27 11:43:09
http://reply.papertrans.cn/83/8221/822047/822047_34.pngAdenocarcinoma 发表于 2025-3-27 17:16:07
http://reply.papertrans.cn/83/8221/822047/822047_35.png加花粗鄙人 发表于 2025-3-27 18:23:37
Reading the Past Across Space and Time: Receptions and World Literature, North, or South. The second premise is that the circulation of literature through translation and other forms of reception long predates modern global society. It is hardly a new phenomenon. If anything is new, it is the idea of national literary canons, which have existed just over a 100 years.善于骗人 发表于 2025-3-27 22:41:10
Reception Configurations: The Case of European Epic in Indiae both politically and culturally asymmetrical, this essay argues that in the process of reception the author sets out to position himself or herself in a symmetrical cultural relationship to his or her repository of literary precursors.Abrupt 发表于 2025-3-28 05:02:03
Inventing China: The American Tradition of Translating Chinese Poetry are also poets). Exploring the nature of the paradigm shift from Pound to the later generations of translators, the question addressed here is: “ho are the inventors of Chinese poetry of our time since Pound?”EXUDE 发表于 2025-3-28 09:01:40
http://reply.papertrans.cn/83/8221/822047/822047_39.png戏法 发表于 2025-3-28 11:50:49
http://reply.papertrans.cn/83/8221/822047/822047_40.png