实体
发表于 2025-3-21 19:02:15
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动脉
发表于 2025-3-21 21:38:31
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LUT
发表于 2025-3-22 01:02:01
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evaculate
发表于 2025-3-22 07:43:15
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绿州
发表于 2025-3-22 08:54:10
,The ‘Eumaeus’ Episode in , merely as a ‘transitional chapter’.. Its defenders’ arguments have seldom proved weighty. We have been asked to notice its emphasis on the ‘return story pattern’, as though parallels to Homeric legend were evidence enough, in themselves, of significance and value.. Critics have stressed particular
赞成你
发表于 2025-3-22 16:26:55
and ,wed by Balzac, Dickens and Flaubert. He admired what he called their ‘Beherrschung der Dinge’ (their ‘mastery of the material world’) the ease with which they seemed to take command of reality in their fiction.. Kafka himself, on the other hand, was profoundly diffident. Dickens’s premises, or Balza
EVEN
发表于 2025-3-22 18:09:09
,Henry Green’s Novels,rts of the self, different parts of a life, different aspects of an event or situation. This leaves him peculiarly sensitive to what . refers to as the ‘gulfs’ in social life: gulfs between individuals, classes, walks of life, school and home, business and home, the old and the young, ‘officers and
Vital-Signs
发表于 2025-3-22 22:32:40
Beckett from Assumption to ,nd its object’ (., 15). We are therefore customarily like tourists ‘whose aesthetic experience consists in a series of identifications’ (., 11). In other words, we put familiar names to unfamiliar things. Beckett’s critics have sometimes proved his point. Anaesthesia follows insight, and the critic
有偏见
发表于 2025-3-23 02:32:41
Don Quixote,ally, it guarantees the authenticity of those realities by playing them off against Quixote’s commitment to romance, against quixotic delusion. As Auerbach sees it, ‘the persons and events of everyday life are constantly colliding’ with Quixote’s madness, ‘and come out in stronger relief through the contrast’..
形上升才刺激
发表于 2025-3-23 09:22:45
Clarissa,list, and made large claims for Richardson’s knowledge of ‘the human heart’.. So did many of Richardson’s other admirers, from Madame de Staël to Diderot and de Sade.. Modern critics have tended to follow them, at least, in describing Richardson as a sentimental novelist..