的阐明
发表于 2025-3-23 12:09:09
of recent developments in stem cell biology and the high expectations concerning the dev- opment of stem cell based regenerative therapies. Regenerative medicine is the focus of current biomedical research, with unique challenges related to scientific, technical and ethical issues of stem cell rese
excrete
发表于 2025-3-23 14:37:20
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文件夹
发表于 2025-3-23 19:23:13
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争吵加
发表于 2025-3-23 22:23:40
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全等
发表于 2025-3-24 04:34:04
Re-thinking the Theatrical Frame: The Opera Director, Video Artist, and Visual Artists,isciplines that artists are engaged with and to consider the re-thinking of the theatrical frame across, through and in interdisciplinary landscapes for performance. The directional shift and links between theatre and conceptual art are that when the artist is making the art form, it is no longer ab
nuclear-tests
发表于 2025-3-24 08:26:29
Landscapes for Performance: The Geographies of Deborah Warner, In a simple sense, these are the basic components necessary to create theatre. However, it is also true that the notion of an empty space being void of anything is not the case, since any space contains a history, memory and multiplicity of meanings. In turn, those performances found and created in
landfill
发表于 2025-3-24 12:51:00
Angels, Soul and Rebirth,g from a universe which does not correspond to oneself, for taking time to experience what or who one is, for inventing ways of expressing oneself, for acting according to one’s own values, and also for entering into relation with the other, respecting both oneself and this other’.. Warner’s . in Pe
粗鲁的人
发表于 2025-3-24 18:09:14
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Horizon
发表于 2025-3-24 19:21:19
The Art of Sound: Auditory Directions, temporal dimensions of blurring the boundaries of the imaginative unconscious with the reality of everyday living, and how that architectural landscape offers spatial empowerment to the spectator; their relationship to space, light and ambience, affording a compositional work of multi-layered texts
问到了烧瓶
发表于 2025-3-25 03:13:49
Performing Silence,autiful silence’ section of the work, timed on a wristwatch (filled with sentimental memories) and a digital stopwatch on a mobile phone. Our awareness and recognition of the contexts of silence are received through the numerous and diverse examples of particular types of silence suggested and spoke