温室 发表于 2025-3-26 21:13:14
http://reply.papertrans.cn/83/8206/820547/820547_31.pngbypass 发表于 2025-3-27 04:08:05
Radical Ellipsis: ,.. These techniques include ellipsis, a four-act structure with closing reversal, asymmetrical stanza lengths and rhyme schemes, plus a battery of disaggregative linguistic devices such as split similes, negative qualifiers, oxymora and rampant paronomasia. Together these techniques constitute the ilambaste 发表于 2025-3-27 09:16:44
,Radical Ekphrasis: ‘An Arundel Tomb’, ‘The Card-Players’, ‘Lines on a Young Lady’s Photograph Albumroduction to . (1955), the first anthology of the Movement generation, D.J. Enright wrote: ‘we do need poetry that is . something, poetry that is about people — preferably other people’.. In his prose contribution to the volume, Larkin put it the other way round — we do not want poetry that is about可能性 发表于 2025-3-27 12:20:45
http://reply.papertrans.cn/83/8206/820547/820547_34.png可互换 发表于 2025-3-27 17:04:59
http://reply.papertrans.cn/83/8206/820547/820547_35.png聪明 发表于 2025-3-27 21:08:24
,Radical Laughter: ‘This Be The Verse’,he figure of the ., which accompanies’ and ‘its negative, the ., which does not accompany’. The term . can be used as a synonym for . or .: ‘according to both etymology and usage, the acolyte accompanies with an eye to following and assisting’. By contrast, ., literally ‘lacking sequence’ in ancient使人烦燥 发表于 2025-3-27 22:23:28
http://reply.papertrans.cn/83/8206/820547/820547_37.pngurethritis 发表于 2025-3-28 03:30:04
http://reply.papertrans.cn/83/8206/820547/820547_38.pngMuffle 发表于 2025-3-28 09:39:21
http://reply.papertrans.cn/83/8206/820547/820547_39.png上下连贯 发表于 2025-3-28 11:58:14
,Radical Citation: ‘Aubade’,hat situates itself within the lyric tradition the better to eviscerate it.. This is an opinion with which Larkin concurred to judge from his comments on those much-admired lyrics: ‘Bloody awful tripe’, he wrote on the manuscript of ‘The Trees’, while in a letter to Monica Jones he described ‘Cut Grass’ as ‘pointless crap’.