轻而薄
发表于 2025-3-26 21:01:50
Cay Oertelng or imagining of performance is thus the printed playtext’s gift and challenge: through dialogue and stage directions as well as supplementary material such as commentary notes, performance histories in introductions, illustrations and photographs, active readers can gain or enhance an understandi
Immobilize
发表于 2025-3-27 01:39:33
Cay Oertel including . This chapter considers the ‘Ghismonda’ play manuscripts as the work of John Newdigate III and argues that the revisions evident between the manuscripts suggest specific performance conditions and reveal something of the way amateur dramatic texts were revised and circulated in literary
淡紫色花
发表于 2025-3-27 06:26:50
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向下五度才偏
发表于 2025-3-27 10:19:32
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lipoatrophy
发表于 2025-3-27 13:37:14
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种族被根除
发表于 2025-3-27 20:19:27
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蜿蜒而流
发表于 2025-3-27 23:48:56
Cay Oertelie für die verschiedenen Arten von Ausgaben oft die gleichen Personen sind, wäre es aber gelegen, daß die gleichen Aufgaben, soweit es möglich ist, mit den gleichen Mitteln gelöst würden und nicht jeder Herausgeber eine andere Zeichensprache verwendete.
压碎
发表于 2025-3-28 04:03:53
and book history, and the material conditions of the transmission of texts. Through a series of case studies, the book explores the way individual editors dealt with Renaissance literature and with changing ideas of how texts and their contexts might be represented. 978-3-030-08569-8978-3-319-77902-7Series ISSN 2634-5919 Series E-ISSN 2634-5927
排斥
发表于 2025-3-28 06:30:42
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放牧
发表于 2025-3-28 11:14:07
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