下垂
发表于 2025-3-25 03:46:56
“Would You Kindly Inform Me Who I Am?”: Wilde’s Comedies of Manners as Tragedieso comes to mind most readily. Wilde’s advocacy of, and martyrdom for, “the love that dare not speak its name”; the homosocial dialogic structure of his critical essays in .; the quasipedagogical homoerotics of .; and the career-spanning preoccupation with form all suggest an affinity with Plato and
initiate
发表于 2025-3-25 08:45:21
“You Will Call Me Sister, Will You Not?”: Friendship, Solidarity, and Conflict between Women in Wild She explores how the play’s representation of alternative kinship ties that are not shackled to biology—or the Oedipal triangle—can offer possibilities for thinking beyond the logic of patriarchal, heteronormative constructions of gender and sexuality. However, while she notes briefly that the endi
Palpate
发表于 2025-3-25 13:17:39
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无思维能力
发表于 2025-3-25 17:33:59
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印第安人
发表于 2025-3-25 20:22:16
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挑剔为人
发表于 2025-3-26 00:21:00
Deconstructive Strategies in Wilde’s Social Comedies: From Melodrama to Deconstruction” criticism as a form of “creative” writing, the body and its pleasures pitted against a pharisaical ideology: in these and several other ways, Oscar Wilde looms up for us more and more as the Irish Roland Barthes.
instructive
发表于 2025-3-26 04:35:03
The Tragicomedies of Oscar Wilde: A Wilde Response to Melodramaeriod during which Freedman wrote his essay. While Freedman sees Wilde’s plays in a similar vein as the tragicomedy of the 1950s–1960s, I want to suggest, instead, a slightly different generic classification for Wilde’s version of tragicomedy: ..
期满
发表于 2025-3-26 11:21:01
Steven Price fortwirkender Bedeutung sind, erweist sich der Blick auf die charakteristischen Unterschiede zwischen ihnen für das Verständnis des Politikbegriffs als höchst aufschlussreich. Angesichts der seit der Mitte der neunziger Jahre des zwanzigsten Jahrhunderts prägenden öffentlichen Debatte über die Verä
乳汁
发表于 2025-3-26 14:01:49
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严重伤害
发表于 2025-3-26 20:36:56
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