地牢
发表于 2025-3-23 09:58:07
SlutWalk Melbourne: Negotiating Feminisms and Organising Activistsorms of feminism and various intersectional values are incorporated into the campaigning process. Gleeson reflects on how SlutWalk Melbourne negotiates its position within the broader landscape of feminist activism and what steps can be taken next by the campaign to ensure the continued practice of intersectionality.
engender
发表于 2025-3-23 15:05:19
Sappho in Cyberspace: Power Struggles and Reorienting Feminisms identifies some consistent approaches to Sappho, linked by power-oriented images as well as proto-feminist thinking. Hodge explores not only the ways in which Sappho continues to serve as a “rallying point” for feminist voices and inspiration for creative adaptors but also how Sappho’s poetics and themes have been preserved in cyberspaces.
COM
发表于 2025-3-23 18:30:28
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是突袭
发表于 2025-3-23 23:43:28
Catherine Dale,Rosemary OverellTackles the intersections between media technologies and gendered identities.Divided into three sections: Media, Activism and Cultural Representations.Directly addresses topical and current issues in
gonioscopy
发表于 2025-3-24 02:47:55
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FLAT
发表于 2025-3-24 08:32:28
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gnarled
发表于 2025-3-24 10:55:13
https://doi.org/10.1007/978-3-319-70660-3feminist; feminism; activism; media; cultural representation; gender; identity politics
aggravate
发表于 2025-3-24 15:15:18
Introduction: Orienting Feminism: Media, Activism, and Cultural Representation,e and Overell examine what feminism means and how it operates in the contemporary moment. They regard feminism as circulatory, as a movement that does not sit still and so can never be fully placed or fixed, which makes it compatible with the idea of orientation. Thinking about feminism’s ongoing se
一条卷发
发表于 2025-3-24 19:26:00
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Feigned
发表于 2025-3-24 23:29:15
, Communalism and Feminist Politics.. The first part of the chapter focuses on the operation of individual and collective agency in the storyworld and how this is linked to contemporary gender politics. Despite different levels of wealth and social power in the core ensemble (and in the larger web of characters), the chapter argues t