Perforation
发表于 2025-3-21 18:23:24
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阶层
发表于 2025-3-21 22:10:31
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transdermal
发表于 2025-3-22 03:25:26
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明确
发表于 2025-3-22 08:03:38
Mapping Out the Chinese Media LandscapeWTO access in 2001. Since this period, the Chinese creative industries have undertaken rapid and important transformations. The potential economic opportunities associated with access to China consumer market, which is the world’s largest one, have made it a prime commercial target for most internat
Trochlea
发表于 2025-3-22 10:45:19
Alibaba Pictures: An Illustration of Changing Business Cultures and Film Financetive talents. Through the lens of Alibaba Pictures and following Peterson’s framework, I analyse the organisational process and the change in business cultures within the Chinese corporate media world. I argue that this change directly affects the development and programming of content. In addition,
Alienated
发表于 2025-3-22 16:15:09
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荨麻
发表于 2025-3-22 19:51:28
The Case Study of Youku Tudoup. .) and how they have been shaping the local media landscape (Chap. .), particularly in terms of financing and production of creative content (Chaps. . and .). In Chap. ., the case study of YT as a microcosm of the macro political-economic forces identified by Peterson and Lemaire (Chap. .) illust
伟大
发表于 2025-3-22 22:43:55
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Carcinoma
发表于 2025-3-23 03:09:19
Participatory Involvement and Focus Groups with Emerging Creative Talentsr creative vision. These are active and collaborative audiences who aspire to become professional filmmakers and creative participants working on linear or non-linear film narratives (and derived IP such as books, graphic novels, music, or videogames). In regard to Peterson’s model they relate to bo
Fretful
发表于 2025-3-23 09:24:33
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