TOUT 发表于 2025-3-21 16:47:25
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Introduction,prehend not only what a monster represents but also what a monster is, not only its semiotic value but also its phenomenological impact. The Sphinx is a visible monster and so is Anubis, while many others were still to be uncovered. The monster belongs to the realm of the fantastic, as do the Sphinx认为 发表于 2025-3-22 11:31:11
Dramatic Strategies and Stratagems, traditionally sacred values. The uniqueness of Cocteau’s treatment of the Oedipus myth in . consists in its blending an amused perspective on human affairs with a deeply affecting existential despair. The play is a tragedy clad in comic attire.Myocyte 发表于 2025-3-22 12:58:26
Cocteau and His Monster, it ever after. As Cocteau’s works repeatedly show, by using the monster as a trope or a concrete supernatural being—be it in his poems, in ., or in his films . and .—he was giving voice to an ordeal that he shared with the many whose sexuality was nonnormative and condemned as such by society. His蒸发 发表于 2025-3-22 18:41:52
Ethics, Alterity, and Designed Emotion, awe as mutants, robots, or aliens. The film trilogy ., like . and ., has been watched by millions in numerous countries, and so have television series such as ., or ., to name but a few. Literature has profited from the propagation of the fantastic on the screen and the works of Tolkien, Rowling, o敲竹杠 发表于 2025-3-22 21:34:24
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Irene Eynat-Confinoer Diplom-Ingenieur P. ahnt, daß er in seiner neuen Position mitreden muß, um seine Ideen durchzusetzen und seine Position zu halten oder gar zu verbessern. Er merkt sehr schnell, daß er im Bereich des Rechnungswesens ein großes Know-how-Defizit hat, und beschließt, dagegen etwas zu tun. Zunächst beFlawless 发表于 2025-3-23 09:18:59
erten Konzepten, „geht es beim Business Reengineering nicht darum, die bestehenden Abläufe zu optimieren ... Die Frage lautet nicht ‘. können wir das schneller oder bei geringeren Kosten erledigen?’ oder ‘. können wir das besser machen?’, sondern ‘. machen wir das überhaupt?’ ... Kennzeichen eines w