Abduct
发表于 2025-3-27 00:31:18
The Structure of Artworks,r philosophic orientation — they have found a permanent place in Polish aesthetic thought and one can hardly imagine a contemporary investigation in aesthetics taking no account of Ingarden’s impressive achievement. Yet despite some fascination with his aesthetic system, nothing like a “school of In
modest
发表于 2025-3-27 01:09:33
The Work of Art and Aesthetic Categories According to Ingarden, work of art. Most modern aesthetic theories seem to share this conviction. However, the explanation of artistic values through the operation of a certain kind of object (works of art) leads to unexpected and even paradoxical results, which appear even in competent and conscientious studies.
Ancillary
发表于 2025-3-27 08:37:12
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有罪
发表于 2025-3-27 12:15:29
,Ingarden’s and Mukařovsky’s Binominal Definition of the Literary Work of Art,th phenomenology and structuralism. However, a closer look at these positions reveals that in spite of their manifestly different epis-temologies, on a number of other issues they are not as disparate as one might assume. Even though Ingarden, unlike Mukarovsky, “considered as so
Nonporous
发表于 2025-3-27 15:00:15
The Sculptural Work of Art,llection takes as its unifying theme the aesthetics of Ingarden, I’m confident that he would find this emphasis congenial. For, in this case, it is the phenomenon of sculpture itself which makes Ingarden’s reflections so welcome. Little could have give him greater satisfaction than to know that appr
Dna262
发表于 2025-3-27 21:03:14
Ingarden on the Theatre,rned with theatre: “The Stage Play” (317–23) and the appendix “The Function of Language in the Theatre” (377–93). The latter Ingarden wrote in the fifties,. more than twenty years after the former. Though he does not comment on this, it seem an important fact because from the current point of view t
MIME
发表于 2025-3-27 23:11:51
8楼
Acquired
发表于 2025-3-28 05:19:14
8楼
itinerary
发表于 2025-3-28 09:09:29
9楼
monologue
发表于 2025-3-28 10:39:24
9楼