投射 发表于 2025-3-26 23:32:44
Replacement, renewal and redundancyevertheless, mortality ensures that in producing children we still practise self-replacement as renewal. The values attached to this kind of production are in revealing tension with attitudes to other kinds of production by which modern societies maintain themselves.Hiatus 发表于 2025-3-27 03:27:31
: replacement and its ripples of sibling rivalryctive – and each other’s – fathers. As they develop into womanhood, the competition grows increasingly destructive. The chapter draws attention to the wretched human economics of desire and desirability in this tragic tale of familial rearrangement.Mediocre 发表于 2025-3-27 08:21:48
Artificial intelligence and synthetic humans: loss and replacementat oppose transhumanist values. It also demonstrates how such tendencies resemble similar reactions to early photography, particularly since photographs of dead children appear frequently in these films.Herbivorous 发表于 2025-3-27 12:43:58
http://reply.papertrans.cn/71/7011/701061/701061_34.png男生戴手铐 发表于 2025-3-27 14:28:08
http://reply.papertrans.cn/71/7011/701061/701061_35.png倾听 发表于 2025-3-27 21:42:07
Introduction,ke over their child or career. Does the fear of being replaced begin in infancy, or do jealous siblings take an intellectual step forward? Do replacement children always veer towards genius or madness? This book takes a vast theme in a multitude of directions.FLAX 发表于 2025-3-28 01:13:39
‘An eye for an eye’ or ‘a mile to a mile’: versions of replacementguilt, intense jealousy or hopelessness. Similarly, the impossibility of exact replacement does not console any of the actors in the triangle of sexual rivalry; serial monogamy leaves many bodies behind. We end with Mrs de Winter cutting flowers in Rebecca’s garden.bacteria 发表于 2025-3-28 02:06:38
http://reply.papertrans.cn/71/7011/701061/701061_38.png厨房里面 发表于 2025-3-28 06:18:04
http://reply.papertrans.cn/71/7011/701061/701061_39.pngGROSS 发表于 2025-3-28 10:36:23
The metaphysics of replacement in photoplay novels of immigrationhe making of an American self, and a version of the New Woman. Their reading as replacement narratives reveals irreconcilable geographies of the new and the old world and the presentations of a gendered immigrant self that paralleled Yezierska’s own condition of incomplete ‘replacement’.