轻打 发表于 2025-3-23 13:16:04
http://reply.papertrans.cn/71/7011/701051/701051_11.pngheirloom 发表于 2025-3-23 15:09:47
War and Trauma in the Music of Bruce Springsteen: “Born in the U.S.A.,” “Devils & Dust,” and “The Wat in a new light. Methodologically I combine trauma studies and cultural music analysis, focusing primarily on the sonic substance and the mechanisms therein that construct meaning. I discuss three songs by Springsteen: “Born in the U.S.A.” (1984), “Devils & Dust” (2005), and “The Wall” (2014).铺子 发表于 2025-3-23 18:08:38
http://reply.papertrans.cn/71/7011/701051/701051_13.png无法破译 发表于 2025-3-23 22:32:41
http://reply.papertrans.cn/71/7011/701051/701051_14.pngMOTIF 发表于 2025-3-24 04:29:04
Pop Music, Culture and Identityhttp://image.papertrans.cn/o/image/701051.jpgNIP 发表于 2025-3-24 08:49:36
https://doi.org/10.1007/978-3-030-18099-7Popular Music Research; Popular Music Analysis; Popular Music Space; Musicological Methodology; MusicoloMonolithic 发表于 2025-3-24 11:52:01
http://reply.papertrans.cn/71/7011/701051/701051_17.png狂热语言 发表于 2025-3-24 15:10:38
On Popular Music and Its Unruly Entanglements978-3-030-18099-7Series ISSN 2634-6613 Series E-ISSN 2634-6621火光在摇曳 发表于 2025-3-24 19:34:51
Nick Braae,Kai Arne HansenProvides fresh takes on familiar material and addresses some of the assumptions and conventions that exist around researching particular aspects of popular music.Demonstrates that the boundaries betweoccurrence 发表于 2025-3-25 00:16:21
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