开脱
发表于 2025-3-21 16:39:05
书目名称Noel Coward影响因子(影响力)<br> http://impactfactor.cn/if/?ISSN=BK0666765<br><br> <br><br>书目名称Noel Coward影响因子(影响力)学科排名<br> http://impactfactor.cn/ifr/?ISSN=BK0666765<br><br> <br><br>书目名称Noel Coward网络公开度<br> http://impactfactor.cn/at/?ISSN=BK0666765<br><br> <br><br>书目名称Noel Coward网络公开度学科排名<br> http://impactfactor.cn/atr/?ISSN=BK0666765<br><br> <br><br>书目名称Noel Coward被引频次<br> http://impactfactor.cn/tc/?ISSN=BK0666765<br><br> <br><br>书目名称Noel Coward被引频次学科排名<br> http://impactfactor.cn/tcr/?ISSN=BK0666765<br><br> <br><br>书目名称Noel Coward年度引用<br> http://impactfactor.cn/ii/?ISSN=BK0666765<br><br> <br><br>书目名称Noel Coward年度引用学科排名<br> http://impactfactor.cn/iir/?ISSN=BK0666765<br><br> <br><br>书目名称Noel Coward读者反馈<br> http://impactfactor.cn/5y/?ISSN=BK0666765<br><br> <br><br>书目名称Noel Coward读者反馈学科排名<br> http://impactfactor.cn/5yr/?ISSN=BK0666765<br><br> <br><br>
描绘
发表于 2025-3-21 22:12:45
Five Comedies,habiting a universe without meaning or controlling force; in the twenties, anticipating Beckett, he earned a label for himself in Robert Graves’s summary of that decade: ‘Coward was the dramatist of disillusion, as Eliot was its tragic poet, Aldous Huxley its novelist, and James Joyce its prose epic-writer.’.
Diaphragm
发表于 2025-3-22 02:30:24
,Consider the Audience …, twenties and its attempts to shut out the memories of war underlay the decade’s most fashionable ailment, neurasthenia. ‘Nerves’ drove Nicky and the Poor Little Rich Girl, and indeed Coward himself. The diagnosis of the thirties was more sombre — ‘anxiety’, the sense of ill-being summed up at the close of . in .:
Pulmonary-Veins
发表于 2025-3-22 07:55:43
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Between
发表于 2025-3-22 11:44:31
https://doi.org/10.1007/978-1-349-18802-4Britain; drama; dramatist; history; history of literature; literature; theatre; theatre history; twentieth c
串通
发表于 2025-3-22 14:16:25
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微粒
发表于 2025-3-22 19:54:11
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Toxoid-Vaccines
发表于 2025-3-23 00:17:46
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Mucosa
发表于 2025-3-23 01:42:29
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Altitude
发表于 2025-3-23 06:10:50
,Consider the Audience …,sal, a wonderful small part in . at the Duchess. (“A little too emotional” — too ., the boy was dying in a shell-hole !)’. The story in many ways symbolises the theatrical, and indeed social climate that was to prevail throughout the thirties and into the war years. ‘Youth’ was no longer a magical w