严厉
发表于 2025-3-21 16:35:54
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Omnipotent
发表于 2025-3-21 23:28:44
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TRACE
发表于 2025-3-22 01:52:01
https://doi.org/10.1057/9780230288355feminism; fiction; gender; women
Irrigate
发表于 2025-3-22 08:19:56
Regen(d)eration,sis of the . beleaguered by issues of class and race, authority and ideology, while her ‘sexual anarchy’. exacerbated deep-seated anxieties about the shifting concepts of gender and sexuality. Her increasing cultural impact and international. resonance accentuated concerns about the feminization of
Insufficient
发表于 2025-3-22 09:12:16
Contesting/Consuming Femininities,n of articles, books, pamphlets, satirical verse and cartoons in the 1890s indicates that, in the media at least, the New Woman was ever-present. The many terms with which the . sought to capture the phenomenon of the New Woman are an indication of how firmly forty years of feminist activism had est
凝结剂
发表于 2025-3-22 16:35:57
Keynotes and Discords,whether they welcomed or detested feminism, contemporary critics agreed that it was the ‘Modern Woman’ from whose pen the new fiction was springing. The stability provided by the concurrence of gender and genre is misleading, however, for the attempt to define the . parameters of the New Woman novel
Occipital-Lobe
发表于 2025-3-22 20:28:39
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修饰
发表于 2025-3-22 22:38:36
The Crisis of Gender and Sexuality, the sexual anarchy that would follow in the wake of women’s political emancipation, feminists challenged the biological and psychological premise on which the sex/gender equation was based. While in the motto to this chapter women’s claim to citizenship is linked to their inalterable difference fro
不开心
发表于 2025-3-23 03:02:03
The Portrait of the Artist as a Young Woman,therhood. As the last chapter established, the theme of motherhood was also used figuratively to denote women’s creativity. New Woman fiction drew on a complex system of extended mothering and childbirth metaphors to link what Victorian patriarchy perceived to be women’s ‘natural function’ with cult
harangue
发表于 2025-3-23 06:40:14
Departures,eir roots by representing late-Victorian feminists through the eyes of the ‘flapper’. Self-assured, sexually experienced, and proudly assertive of her ultra-modern status, the ‘new’ woman of the twenties was more intent on shocking the moral codes of the older generation than in placing herself in a