刺激 发表于 2025-3-30 09:30:16

http://reply.papertrans.cn/67/6656/665517/665517_51.png

运动吧 发表于 2025-3-30 15:21:54

http://reply.papertrans.cn/67/6656/665517/665517_52.png

adroit 发表于 2025-3-30 17:50:25

Epistemological Stagflation and the Crisis of Democracy in Contemporary Music Researches to function as a source of institutional critique, and then stakes out a dissenting perspective on the political economy of music research today to show how historiographical and epistemological feelings have changed since musicology began to lag. Critique is framed in a ‘non-modern’ perspective

Myelin 发表于 2025-3-30 21:40:13

Black Music’s Institutional Critiquehetic system surrounding Black art and had institutionalised it much earlier than modern or contemporary art had. This de-universalisation of the European fine arts has consequences for the theory of critique. Black music’s governing institutions in the 1960s were the recording label, the night club

CHANT 发表于 2025-3-31 03:14:21

http://reply.papertrans.cn/67/6656/665517/665517_55.png

JADED 发表于 2025-3-31 05:09:25

http://reply.papertrans.cn/67/6656/665517/665517_56.png

PALMY 发表于 2025-3-31 11:30:19

http://reply.papertrans.cn/67/6656/665517/665517_57.png

倾听 发表于 2025-3-31 17:09:03

http://reply.papertrans.cn/67/6656/665517/665517_58.png
页: 1 2 3 4 5 [6]
查看完整版本: Titlebook: New Music and Institutional Critique; Christian Grüny,Brandon Farnsworth Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s)