grovel
发表于 2025-3-23 12:42:21
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muffler
发表于 2025-3-23 14:59:40
Kavyta Kay spanwise temperature variation seems to indicate streamwise rolls. The turbulence becomes increasingly more anisotropic with increasing Ti and the vertical heat flux decreases relative to the longitudinal heat flux or the vertical momentum flux. These variations are explained using time scale argum
Generalize
发表于 2025-3-23 21:41:57
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Receive
发表于 2025-3-23 23:40:53
Women in Internet Comedy,ower of comedy and the internet in the service of digital feminism and how, in doing so, are disrupting the male gaze (Mulvey, Screen 16:8–18, 1975) which has long influenced traditional media representations of women as well as one-dimensional notions of Indian womanhood.
撤退
发表于 2025-3-24 03:28:12
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有常识
发表于 2025-3-24 09:16:19
2731-4332 isidentification and as such, this book makes a further contribution to South Asian, communication, media & cultural studies.978-3-030-07420-3978-3-319-97867-3Series ISSN 2731-4332 Series E-ISSN 2731-4340
LEVER
发表于 2025-3-24 14:38:51
,“New” India and the Nuttahs, a brief history of the trajectory of comedy in India to the present age of social media in which digital platforms such as YouTube and Facebook have afforded a new wave of comedians, a dynamic outlet in which discourses of the nation, identity, censorship, feminism, and representation have come to
分期付款
发表于 2025-3-24 18:46:04
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catagen
发表于 2025-3-24 19:23:57
Women in Internet Comedy,en from all walks of life in fighting sexual violence and inequities. Perhaps less visible is the feminist movement in the film and television industries where, with the exception of a few, the spheres of celebrity discourse largely disidentify with the term feminist. However, there is an emerging,
有助于
发表于 2025-3-25 02:37:18
Down to Brown: A Footnote on British Asian and South Asian American Comedy, of race and representation are becoming more prominent on social media..This chapter moves away from the internet comedy of India, as a central object of study, to its diasporic counterparts as located in Britain and North America, and explores the trajectory of South Asian comedy in these contexts