FAWN
发表于 2025-3-27 00:47:22
A Poetics of the Tracene documental es como una familia sin álbum de fotografías” (A country without documentaries is like a family without a photo album), which succinctly articulates the work of the documentary in contemporary Latin America. Without questioning the documentary mission, Guzmán also asserts its affective
grounded
发表于 2025-3-27 02:09:42
First-Person Documentary and the New Political Subject: Enunciation, Recent History, and the Presentnce of a new subjectivity in documentary productions of the 1980s and 1990s as the construction of “a self, typically a deeply social self” (2004, 178). What is new about this subjectivity, he explains, is that it does not reject the collective: “current documentary self-inscription enacts identitie
污点
发表于 2025-3-27 08:23:21
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degradation
发表于 2025-3-27 12:39:35
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争吵
发表于 2025-3-27 15:08:59
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正常
发表于 2025-3-27 18:37:58
Residual Images and Political Time: Memory and History in , and , and of their relatives who struggle against the disappearance of the body, always having incessantly to produce the social appearance of the memory of its disappearance” (2004, 25). Is there an image, a filmic image, for the kind of irruption Nelly Richard describes—the appearance of a disappearanc
意见一致
发表于 2025-3-27 22:34:34
Reenact, Reimagine: Performative Indigenous Documentaries of Bolivia and Brazilary, and post-colonial video practices that have been generated by and within its indigenous communities in recent decades. Their production and circulation processes have been of more interest to visual anthropologists under the rubric “indigenous media,” which I will refer to as specific forms of
杂色
发表于 2025-3-28 04:25:15
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祖传
发表于 2025-3-28 06:28:11
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胶水
发表于 2025-3-28 12:01:29
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