契约 发表于 2025-3-21 17:57:43
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Neil R. Millercontent. They could be at a conference or an exhibition or watching a corporate video or opening sound-enabled product packaging. There are so many touchpoints today where we have the opportunity to communicate through sound that the imperative for putting some investment into how a company uses the发怨言 发表于 2025-3-22 04:14:17
Collin M. McClelland,Michael S. Lee,Mark S. Gans gestural sonic objects through dedicated qualitative analysis sessions. The task of annotating gestural sonic objects on the recordings of this performance has led to a meticulous examination of related theoretical concepts to establish a method applicable beyond this case study. This process of geLIEN 发表于 2025-3-22 07:07:52
Jonathan A. Micieli,Valérie Biousse,Dan Milea,Nancy J. Newmanance. This study may encourage expert musicians to explore new practising procedures by developing body self-awareness. Self-reflecting on movement and its kinaesthetic feedback may contribute to achieving sound-action awareness in music, positively affecting musicians’ performance and enabling them关心 发表于 2025-3-22 10:13:26
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Michael Wall narrative-based radiophonic work. We consider how the pandemic may have invited us to pause and reconsider how we document and archive the present to look back and better understand the future. Sound may be vital in understanding our environment and the socio-cultural shifts over time. This chapter我们的面粉 发表于 2025-3-23 01:08:30
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Michael Dattilo,Valérie Biousse,Klara Landau,Nancy J. Newmaninteraction. Five classes of use of annotation were identified in the study, three of which are particularly relevant to the future design of sonic interactions in virtual environments. The second study used a modified version of LeMo to test the support for a creative collaboration of two different