Habituate
发表于 2025-3-26 23:39:37
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Exaggerate
发表于 2025-3-27 03:00:46
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Fester
发表于 2025-3-27 06:44:50
Gary A. Brook (PhD),Dorothee Hodde,Thomas Kretschmerces for Love also offers "skillful technique, attention to minute particulars & variable foot," continuing to extend the demotic traditions of American poetry established by Walt Whitman, William Carlos Williams, and Charles Reznikoff. . ....978-0-89603-631-4978-1-4612-1812-8
Bricklayer
发表于 2025-3-27 10:26:00
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裂口
发表于 2025-3-27 16:13:04
Thomas Kretschmer,Kartik G. Krishnane end of the 1960s as the central regulatory institution in the creation, production, and distribution of motion pictures in the United States. Using the Production Code (also known as the Hays or Breen Code)3 as its bible, the administration systematicallyintervened in the writing of script drafts,
reject
发表于 2025-3-27 18:49:15
Thomas Kretschmer,Gregor Antoniadis of policies and practices that are implemented.2 The length of time that some film censorship officials were on duty also explains some of the tendencies.3 The Federal Government still has an intervention tool, the criminal code, which defines obscenity and allows legal action against works conside
monologue
发表于 2025-3-28 00:03:35
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Pulmonary-Veins
发表于 2025-3-28 03:32:42
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syring
发表于 2025-3-28 09:57:15
Hans Assmus,Gregor Antoniadise end of the 1960s as the central regulatory institution in the creation, production, and distribution of motion pictures in the United States. Using the Production Code (also known as the Hays or Breen Code)3 as its bible, the administration systematicallyintervened in the writing of script drafts,
foliage
发表于 2025-3-28 13:28:46
Robert Schmidhammer attention from racialized domination by participating in the ongoing reconstruction of an island historical memory based on racial harmony and miscegenation. Others acknowledged sociopolitical inequalities but obscured an understanding of it as racial by employing idioms other than race— including