BILIO 发表于 2025-3-25 03:41:32
Khaled Ziadehr with reference to this incident because, as Blake Morrison’s above description demonstrates, it has come to occupy such a central place in historical and sociological studies of twentieth-century childhood. This was not the first time children had been accused of horrific violence, nor the first tEWER 发表于 2025-3-25 10:01:21
http://reply.papertrans.cn/67/6625/662472/662472_22.png标准 发表于 2025-3-25 15:21:17
http://reply.papertrans.cn/67/6625/662472/662472_23.pngTrabeculoplasty 发表于 2025-3-25 16:12:46
http://reply.papertrans.cn/67/6625/662472/662472_24.png泥瓦匠 发表于 2025-3-25 22:42:25
http://reply.papertrans.cn/67/6625/662472/662472_25.pngCLAM 发表于 2025-3-26 03:46:42
Khaled Ziadehd tragedy, or more precisely as box office poison.. Indeed the so-called ‘Prestige’ productions of the film studios, United Artists’ ., directed by Sam Taylor, 1929, Warner Brothers’ ., directed by Max Reinhardt and William Dieterle, 1935, MGM’s ., directed by George Cukor, 1936, and the British (In问到了烧瓶 发表于 2025-3-26 05:28:22
http://reply.papertrans.cn/67/6625/662472/662472_27.pngInflux 发表于 2025-3-26 12:07:40
Introduction,uring the 1950s and ’60s in Tripoli, Lebanon, the unnamed—and therefore broadly generalized—city that serves as the focus of this text. After a brief period studying for a doctorate in history at the Sorbonne in Paris in the late ’70s, he returned to Lebanon and became a professor of history and soc蒙太奇 发表于 2025-3-26 16:26:16
http://reply.papertrans.cn/67/6625/662472/662472_29.pngOptic-Disk 发表于 2025-3-26 20:32:40
http://reply.papertrans.cn/67/6625/662472/662472_30.png