Grasping
发表于 2025-3-27 00:03:43
Olga Siegmuntnolphe who believes in the possibility of total control is defeated at every turn by the sequence of circumstances which moves always to the benefit of spontaneity and unwilled impulse. The crusade ofjustice Overdo to enforce his literal-minded and pedantic code must necessarily end in mockery. Almo
pulmonary-edema
发表于 2025-3-27 01:48:24
Olga Siegmunteen the mechanical, the rigid, and the systematic, on the one hand, and the organic, the flexible, the accidental, on the other. This central concept is attractive in that it seems to comprehend a very wide range of different comic patterns, and can be interpreted at a number of different levels. Th
FANG
发表于 2025-3-27 06:01:01
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Patrimony
发表于 2025-3-27 12:55:03
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贪婪的人
发表于 2025-3-27 14:13:42
Olga Siegmunt English history play in close relation to The Massacre at Paris, but also – paradoxically – to establish it more firmly as a pivotal text between the First Tetralogy and the Second.. Such a function matches the text’s presumed date and obvious affinity with .. Within a broadly delineated “discursiv
BRAVE
发表于 2025-3-27 20:47:49
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Invertebrate
发表于 2025-3-27 23:36:54
Olga Siegmuntperience of objects in his plays.Engages the reader in an in. .This book explores ways in which Shakespeare’s writing strategies shape our embodied perception of objects – both real and imaginary – in four of his plays. Taking the reader on a series of perceptual journeys, it engages in an exciting
动脉
发表于 2025-3-28 02:16:44
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归功于
发表于 2025-3-28 09:08:51
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investigate
发表于 2025-3-28 10:37:50
used James’s wrath through his portrait of the trial of Duessa in ., V, ix, a transparent allegory of the trial and execution of Mary Queen of Scots on 8 February 1587. The English ambassador in Scotland, Robert Bowes, wrote to Lord Burghley on 1 November 1596 that James refused to allow the second